Welcome to the first of our AWP 2014 special reports. Well, not "our," since Mike is still in Philly. Tom chats with Barrelhouse editor Joe Killiany about the best and worst parts of AWP, travel woes, Sherman Alexie, William Faulkner, and beard maintenance. 

On this week's episode we discuss a recent essay in the Chronicle of Higher Education--"How Iowa Flattened Literature," by Workshop grad Eric Bennet--and whether we agree with the various charges it levels against Iowa specifically and the project of teaching creative writing more generally. We also answer a listener question about how to select the journals to which you submit your work, and whether there are special considerations for as-yet-unpublished writers.

Another listener pick: the 1958 novel that would become the first James Bond movie only four years later. We discuss the book's imperialist politics, Fleming's choice to employ dialect for the Jamaican characters, and "the mound of Venus." In the second half of the show we debut a new feature, Fan Fiction Corner, in which we delve deeply into the world of James Bond slash-fic and Tom gets kinda grossed out.

This week we're tackling another question about copyright, piracy, and digital publishing. Specifically: How do libraries fit into the mix? We also talk about the effects both self-publishing and indie publishing are having on the major publishers, we read a couple more Lee Klein rejections, and Mike is asked to explain his love of the movie Pitch Perfect. 

Ward's memoir recounts the deaths of five young black men in her hometown of DeLisle, Mississippi, including the car accident that killed her younger brother. We talk about de facto segregation in the American South, writing about family members, and amateur sociology. We also bring back our Sticks and Stones segment, read a couple more donor rejections, and try to figure out what happens in the 4th dimension.

At the suggestion of a listener, in this special bonus episode we're discussing self-publishing, copyright, and how evolving digital technologies might influence both writers and publishers. Should writers and publishers embrace Creative Commons licenses and post their work online for free? Is copyright an outmoded idea? How can writers balance the desire to make a living with the desire to reach a wide reading audience? 

This week we've got questions about getting an MA, submitting to magazines that already published you, and finding a writing group. Also: Chubby Checker's less popular dance crazes, Tom's brief theater career, and Philadelphia's cheesiest pervert. 

This week's book is a story collection from Foxhead Books, and features small-town characters whose lives have fallen short of their dreams. We talk about the difference between generous and stereotypical portrayals of small-town Southern characters, how to put together a story collection, and why Americans keep shooting each other. For more, visit bookfightpod.com.

We're joined by Joshua Isard (author of Conquistador of the Useless, and director of Arcadia University's low-residency MFA program), who answers questions about reading your own reviews, and what to do with an MFA in creative writing. Josh shares some details about Arcadia's program, we talk a little smack about Jennifer Weiner, and we speculate about Babe Ruth's junk. 

We welcome guest Joshua Isard (author of the novel Conquistador of the Useless) to discuss Roth's 2004 novel, which imagines a midcentury America in which Charles Lindbergh is elected president on an "America First" platform of non-interventionism. We talk about the believability of the book's conceit, the idea of a "false memoir," and the continued presence of anti-semitism in the United States. We also bring back our Sticks and Stones segment, now with a special theme song. 

This episode is sponsored by Five Chapters, an online journal and press, which has recently begun publishing story collections, including Everyone's Irish by friend-of-the-show Ian Stansel. Check out everything they have to offer at fivechapters.com.